"I had always loved that picture and I wanted to use that aesthetic that Kane represented during his era - unlimited cool, refinement, but supremely gangsta. Plus, I fucking love Kane as a rapper! That said, I wanted to make it really minimalist and turn that ideal into a target - hence why he is red and the chains are visible."
"We did not have a direct connection at MTV, but my business partner at the time had a connection at a third party company that does MTV's music placement. So after the album was finished we had sent that to him and highlighted that song in particular as one that would be a good fit for anytime in reality TV that there was a fight or an argument or whatever, which in reality TV is pretty much all the time.
We landed a few more sync deals off of that record, but that was the major one. I learned a lot about sync placements through that, because that song was classified as featured music as opposed to background music which paid out at a higher rate. It was awesome though because we recouped the entire album off of that one sync. Which was great because we spent way too much on that album anyways!"
"I connected with Scorsese when he was putting together producers to remix tracks for his last album, A World Only Gods Know. Zilla Rocca actually connected us. I did the remix of the title track for that album and then shortly after he had heard some of my beats on Instagram and I sent him one of them. [H]e laid something down on it that I thought was super dope at which point he told me the whole concept for the album and we started putting tracks together really with the intent of doing an EP, but it morphed into a full length album."
"I don't really do Type beats and try to sell stuff on like Beatstars or go really hard on Soundcloud or whatever. Mainly just because I don't have the time. I have four kids and I still work a full time job outside of music, so I really have to make sure that whatever I'm working on musically is stuff that I'm really passionate about.
I do occasionally dabble with other styles of hip hop besides what you hear on the collaborations with Alex Ludovico [which you should really check out if you haven't already] and on the Dream Team stuff. So I do have a pretty decent size catalog of "keyboard beats" that I will eventually get into doing something with. There's a lot of electronic inspired stuff that I guess I would describe as a heavy Missy Elliot/Timbaland influence mixed with modern-day trap.
So maybe at some point in the future I'll pop up on Beatstars or one of those websites with an alias and start better financing my boom bap style stuff by doing contemporary bullshit. And I use the term bullshit loosely because I do enjoy a lot of that stuff and it's fun to make as well. With so many sub-genres of rap I don't ever want to pigeonhole myself into just doing one style. "
"Growing up in the Chicagoland area it would be sacrilege to say anything other than Michael Jordan and Scottie Pippen. But I will always have a special place in my heart for David Robinson. The first replica NBA jersey I ever bought was that number 50 Spurs, and I still have it in my collection."
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"LA is like the unspoken co-writer of all of my new music. I've seen the highest highs here. Nights in millionaires' mansions and beautiful women everywhere. But I've also seen the seediest underbelly of this place. I had a spot of homeless here and had to hop from shitty hotel to hotel. I landed on my feet but LA . . .never really allows outsiders to feel stable. . .LA has bestowed upon me some nuance in how I write my experiences out. And it has given me a true appreciation of the good things in my life."